DarloRich
Veteran Member
You still havent answered what you don't like about my view point. I accept that it is at odds with yours but I stand by my point. I would also point out that I cant control how you take my postings. If you think I am on a wind up then so be it. I cant change your view. It is an easy way out of engaging with a differing view to your own I suppose!I asked if you were being satirical, serious or contrarian, and you responded with "could be all three, you decide". Those are not the words of someone expressing their legitimate opinion for the sake of discussion.
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I agree - however the lack of an authorised walking route isn't a problem as long as the exhibits "speak for themselves" and have the space to do so ( not cluttered or fenced off)The NRM needs to appeal most of all to the youngsters of today. Those who look at the items or the wonderlab (whatever that will be) and think i really want to get involved with engineering and then have a lifelong enthusiast and interest in the industry.
At the moment the railway museum really just is a room with some trains in and there isnt really much of a story/route through, its just a random assortment of trains. York is a massive tourist destination for families and the museum needs to capitalise on that. It doesnt need to attract the enthusiast, they will most likely come even if they hate it.
It needs to be bright (natural light) and be interesting. This doesnt mean the national collection cant have other large exhibits, but who really cares about Class 40s, 2-BILs, Class 31s. These are not items that leave an impression.
The problem with most diesels/electrics are that they are essentially just boxes on wheels, whereas there is normally a lot more to see with a kettle.
The two are not mutually exclusive.My point is that you claim 'the NRM doesn't need one of everything', and yet they clearly aim to assemble 'an unrivalled collection of engineering brilliance' which seems to suggest they already have or intend to amass a large collection of exhibits, ie considerably more than just Mallard / Flying Scotsman.
The National Gallery doesn't own every painting of a particular style or even every example of one painters work - they have a representative collection that they will add to when the opportunity arises and I bet they dispose of things no longer wanted or replaced by better examples.
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