What do you expect, we always send some loser and then blame Balkan voting blocs :roll:
Well there was Balkan bloc voting yet again!

What do you expect, we always send some loser and then blame Balkan voting blocs :roll:

He is no Terry Wogan.![]()
Oswyntail said:...There was a good variety of style throughout, and any one song could have arguments in its favour to win. I still wouldn't buy any of them...
I have never believed the "block" voting was as sinister as Old Tel had us believe. Musical taste tends to be fairly regional, even if the musical models are standard. Once again it was obvious that, the further East you went, the more Eastern influence there was in the melody and harmony. The songs were lot better than usual, and all praise to Italy for daring to be different. There was a good variety of style throughout, and any one song could have arguments in its favour to win. I still wouldn't buy any of them, but this year's show was a huge step up from previously - perhaps this is why Norton did not have to resort to the ridiculous commentaries that we have had in the last decade!
I'm sorry, but that's one of the most ridiculous things I've read: this contest has long detached itself from anything-remotely related to music.
Bloc-political voting was alive and kicking last night and will remain endemic to Eurovision for sometime to come.
I disagree. It is natural for countries in the same region of the continent to share similar tastes. Having said that, I cannot understand how the UK gave Jedward maximum points - surely their fan base can't be that big or obsessive?
It may not be to your taste, as it isn't to mine, but a lot of the music is well constructed, and pitched for its core audience. And really, the only basis for seeing bloc voting lies in the one-eyed commentaries of Wogan, which became bitter rather than witty some years before he stopped. There are regional variants in properly demotic music, and the voting usually shows this. The least successful songs in the years since the expansion have been those that stick rigidly to an old idea of "Europop"; the successful ones have generally had elements of their community music making them distinctive.I'm sorry, but that's one of the most ridiculous things I've read: this contest has long detached itself from anything-remotely related to music.
Bloc-political voting was alive and kicking last night and will remain endemic to Eurovision for sometime to come.
one-eyed commentaries of Wogan, which became bitter rather than witty some years before he stopped.
I disagree. It is natural for countries in the same region of the continent to share similar tastes. Having said that, I cannot understand how the UK gave Jedward maximum points - surely their fan base can't be that big or obsessive?
Agreed. He was one of the rudest commentators for it. At least Graham Norton is mildly funny and doesn't continually criticise.
It may not be to your taste, as it isn't to mine, but a lot of the music is well constructed, and pitched for its core audience. And really, the only basis for seeing bloc voting lies in the one-eyed commentaries of Wogan, which became bitter rather than witty some years before he stopped. There are regional variants in properly demotic music, and the voting usually shows this. The least successful songs in the years since the expansion have been those that stick rigidly to an old idea of "Europop"; the successful ones have generally had elements of their community music making them distinctive.
The music is well constructed but that doesn't mean the voting reflects that. Based on your criteria then, why didn't Moldova glean more votes?
The voting is thrown open to each nations' respective audience. How many of them know a decent 'well constructed' piece of music from 'Europop'? Wogan interpreted the results in his last days as commentator as being representative of bloc-party voting, an opinion which many of us share. Exactly how that makes him 'rude' or his commentaries 'one-eyed' I'm not sure.
After all, that's how he interpreted the results. You interpreted them as countries voting for music that is distinctive as opposed to mundane 'Europop'. I interpreted them as countries voting for one another, especially the Balkan states, and not being representative of the act before them, much less 'a music contest'.
Yes, it could open up an entire new genre of gnome-ska.I quit eliked the Moldovan entry. For me it was a bit reminiscent of Madness and Bad Manners. Maybe that's why it garnered some support amongst UK viewers.
If you removed the peculiar headgear then I think that it certainly wasn't the worst entry in the competition, and had some merit to it. I can definitely see where influences of Madness and Bad Manners come into it.