Sun Chariot
Established Member
I can hear the burble of the idling Sulzer. Happy memories...You might be relieved to learn, just the 3 extra images unearthed for Leicester this time!
29/04/85. 25230 on mail train duties.
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I can hear the burble of the idling Sulzer. Happy memories...You might be relieved to learn, just the 3 extra images unearthed for Leicester this time!
29/04/85. 25230 on mail train duties.
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Good spot sir! I'm viewing on my phone and didn't zoom in until you mentioned it! That is indeed a complete hot-potch of anything they could find lying around in Craigentinny! At least the front and back of the train match though!That's the most wonderfully mixed push pull rake I have ever seen. Scotrail DBSO, an equal number of pressure ventilated blue grey coaches and aircon Scotrail coaches. A modeller's dream!
I recognise that 20 and seacow/lion combo from earlier.....there was a bloke with a big reel of cable! Both shots are great!May 86. Detail of 20093 at the head of its ballast train.
I did warn of potential bouts of deja vu!I recognise that 20 and seacow/lion combo from earlier.....there was a bloke with a big reel of cable! Both shots are great!
Have you had to deskew any so the verticals are vertical. What do you use to do that. I use the photo editor that came with Windows 10. But I am editing scans of old documents, not photos.May '86. 45022 departs south in charge of a mail. An example how a crop - in this case removing the sky - can change the dynamic of the image.
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The 'skewing' tool in Photoshop is part of the cropping tool. I'm not familiar with the Windows photo editor, but it might be the sameHave you had to deskew any so the verticals are vertical. What do you use to do that. I use the photo editor that came with Windows 10. But I am editing scans of old documents, not photos.

I started by uploading 30 or so images to Flickr before joining this Forum, nothing that hasn't been seen here though. Maybe I didn't optimise the way I listed them, but I found that whilst the views clicked up steadily, there was virtually no feedback so it was all a bit soulless. Contrast that with then joining this vibrant place, where the interest was immediate and not only with complementary feedback, but also a huge amount of contextual information around the images, some of which I had forgotten in the mists of time but much of it new to me. It has added so much to my own enjoyment and proven a strong motivation to put the time in to prepare images for posting.Always a pleasure to see your thread updates appear on my RUK feed, @lostwin(m)
In your opening post, you'd made mention of a Flickr thread. Do you maintain that as well? Does it contain 1980s railway images over 'n' above those you've treated us to, here?
Interesting observation and it's my exact same stance about Flickr.I started by uploading 30 or so images to Flickr before joining this Forum, nothing that hasn't been seen here though. Maybe I didn't optimise the way I listed them, but I found that whilst the views clicked up steadily, there was virtually no feedback so it was all a bit soulless.
That really is from a bygone age.....that view has changed hugely since you shot this.....it takes me right back.18/10/86. Looking somewhat lost, 27056 attempts to find the right way back into Waverley.
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Think the machines might be ballast cleaners.27054 caught from a passing train heads a short PW at Inverness
I didn't realise it was so soon afterwards that they disappeared. In '86 they were the primary motive power on the Edinburgh - Dundee's and could pop up on other passenger work if there was a shortage of motive power. Based on some other pictures I have seen recently, many of they seemed to end up in Leicester at Vic Berry's. I missed out not being active in my photography when 'the stack' was being created, it looked to be amazing - if somewhat surreal - sight.And - your latest uploads here, remind me just how closely I missed the class 27s in BR revenue service: My first Scottish Rail Rover, in August 1988 - they'd all gone.
My teen self was producing the very same paint finish on my OO models. Trouble is, on OO scale it looked ruddy awful!You can tell just how fresh on this close up of the nameplate, it still looks positively sticky!
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And - your latest uploads here, remind me just how closely I missed the class 27s in BR revenue service: My first Scottish Rail Rover, in August 1988 - they'd all gone.
I didn't realise it was so soon afterwards that they disappeared. In '86 they were the primary motive power on the Edinburgh - Dundee's and could pop up on other passenger work if there was a shortage of motive power. Based on some other pictures I have seen recently, many of they seemed to end up in Leicester at Vic Berry's. I missed out not being active in my photography when 'the stack' was being created, it looked to be amazing - if somewhat surreal - sight.

One area where digital image capture appears to hold a significant advantage over film is in low light photography, even camera phones can seemingly see in the dark these days. Film was more un-predictable as you started to push it beyond the limits, naturally, that didn't stop me trying.
23/12/86. It's 02.50 at Woking, 73116 "Selhurst' and 73133 double head the 22.38 Weymouth - Waterloo which presumably means they were running significantly behind schedule, which was lucky for me as I had managed to intercept them at Southampton. I have a vague recollection they were running on diesel as well.
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Blimey, 4 hours to get from Weymouth to Woking! From my notes (where I had jotted down the time of the picture) I just assumed that they must have been running late.No: bang on time. Due Woking 02.46-02.55.
I have it noted at 1/2 second exposure for the last 73 shot and wide open aperture (f1.8), due to lack of tripod. The floodlights are so much brighter than the rest of the scene that they have just 'burnt' the film emulsion. This has had work in Photoshop too, particularly on the loco cab, to brighten the image.Is the ”glow” of the lights in those night shots down to a wide-open aperture and long exposure?